Half Moon Rising
Expected to ship in about a week.
- Instrumentation: Piano, SATB Choir
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 244
Description
Half Moon Rising , compiled and edited by John Winzenburg, offers a broad range of choirs an informed introduction to performing Chinese choral music. The collection includes:
- a representative and contrasting selection of works from the past century – folksong arrangements; pieces mixing traditional Chinese and Western Romantic styles; and contemporary settings of ancient poetry
- a broad range of styles and dialects, illustrating the region's rich diversity, all presented with the transliterated original text
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poetic English translations below the staves and introductions containing information on the composers/arrangers; performance notes; and literal English translations
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Ban Ge Yue Liang Pa Shang Lai (Half Moon Rising) - Xinjiang folksong, arr. Cai Yuwen
- Ba Jun Zan (Magnificent Horses) - Fantasy on a Mongolian folk tune, arr. Yang Hongnian, adapted and arr. Jing Ling-Tam
- Cha Shan Qing Ge (Tea Mountain Love Song) - Guizhou folksong, arr. Chen Tscheng Hsiung
- Diu Diu Dang Ah (Old Train Song) - Taiwan Yilan folksong, arr. Chien Shan-hua
- Dui Hua (Antiphonal Flower Song) - Anhui folksong, arr. Shi Jin Bo
- Gai Tau Hong Mei (Street Calls) - Leong Yoon Pin
- Ge Lao Huan Ge (Happy Song of the Gelao) - Gelao folksong, arr. Zhou Zhengsong
- Hong Dou Ci (Red Bean Poem) - Liu Xue'an, arr. Hwang Yau-tai
- Ken Chun Ni (Cultivating Spring Soil) - He Lüting (music) Tian Han (words)
- Kuai Le De Ju Hui (Happy Reunion) - Ancient tune of Sun Moon Lake, arr. Chuan-Sheng Lu
- Lok Sui Tien (Rainy Days) - Hakka folksong, arr. Toh Ban Sheng
- Mo Li Hua (Jasmine Flower) - Jiangsu folksong, arr. C hen Yi
- Mu Ge (Shepherd's Song) - Eastern Mongolian folksong, arr. Qu Xixian 72675
- Pao Ma Liu Liu Di Shan Shang (Horses Run on the Mountain) - Xikang folksong, arr. Zhao Yushu
- Qing Chun Wu Qu (Dance of Youth) - Uyghur folksong, arr. Wang Luobin, choral arr. Wang Shiguang
- Ru Meng Ling (Like a Dream) - Richard Tsang
- Seui Diu Go Tau (Under the Mid-Autumn Moon) - Chan Kai-Young
- Shui Guang Lian Yan (Ripples Glisten Away…) - Chen Yihan
- Shui Xian Hua (Narcissus Flower) - Chinese folksong, arr. Lin Sheng-shih
- Tin O O (Dark Clouds) - Northern Taiwan children's song, arr. Tsai Yu-Shan
- Xiao He Tang Shui (Flowing Creek) - Yunnan folksong, arr. Ma Shuilong
- Xiao Huang Li Niao (Little Oriole) - Mongolian folksong, arr. Chan Hing-yan
- Yang Guan San Die (Parting at Yangguan Pass) - Ancient Chinese tune, transcribed by Xia Yifeng, arr. Wang Zhenya
- Yi Wang (To Forget) - Hwang Yau-tai (music), Zhong Meiyin (tex t)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.