{"title":"New Releases","description":"","products":[{"product_id":"notes-text-music-writing-book-peters","title":"Notes: Text \u0026 Music Writing Book","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Notebook\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024905\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e5.8\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e8.3\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 48\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eNotes: Text \u0026amp; Music Writing Book\u003c\/em\u003e from Edition Peters is ideal for all music students to use for lesson notes or as a practice diary, comprising 48 pages of alternating 10-stave manuscript and 5mm dot-grid cream paper.\u003c\/p\u003e\n\u003cp\u003ePresented in the instantly recognizable Edition Peters Green Series cover style, this A5 paperback notebook is the perfect companion for musicians, and is sure to come in useful for anyone wishing to jot down musical notes.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42659452616839,"sku":"EP20027","price":8.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/32b7f28e6bc0618472c3b707def45ef6.jpg?v=1749604329"},{"product_id":"bonis-flute-sonata-in-c-sharp-minor-op-64-peters","title":"Bonis: Flute Sonata in C-sharp Minor, Op. 64","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Mélanie Bonis (1858-1937)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Lingeberg. Wilfried (1969-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Flute Sonata in C-sharp Minor, Op. 64\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024783\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 56\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20013.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe \u003cem\u003eFlute Sonata in C-sharp Minor, Op. 64\u003c\/em\u003e by Mélanie Bonis was composed in 1904. Over the course of the 20th century, the \u003cem\u003eSonata\u003c\/em\u003e gained recognition and is now considered a staple of the flute repertoire. However, the composer, who often published under the pseudonym \"Mel Bonis,\" remains relatively unknown outside France. She studied piano under César Franck alongside Claude Debussy and composition under Ernest Guiraud at the Paris Conservatoire. This Urtext edition seeks to bring greater international attention to the work of this remarkable composer. Presented as a practical edition, it includes a critical commentary from Dr. Wilfried Lingenberg in German, English and French, flute part and piano accompaniment. The piece is 18 minutes long and suitable for intermediate to advanced flautists.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":42659507306631,"sku":"EP20013","price":16.95,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754343198855,"sku":"PET.56430","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/ee1a8e12dbf8837fd6ddf8b0b5bde8d0.jpg?v=1781032103"},{"product_id":"mozart-serenade-in-c-k-648-peters","title":"Mozart: Serenade in C, K. 648","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Wolfgang Amadeus Mozart (1756-1791)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Trio (Violin I, Violin II, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Serenade in C (Ganz kleine Nachtmusik), K. 648\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024998\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 24\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20028.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe \u003cem\u003eSerenade in C K648\u003c\/em\u003e \"Ganz kleine Nachtmusik\" for two violins and basso (\"cello\") is a previously unknown piece by Mozart that was discovered by researchers in Leipzig, Germany, and included in the 2024 edition of the Köchel catalogue. Thought to have been composed when he was in his teens, the piece consists of seven movements for string trio, lasting around 12 minutes. Referred to as \"Very Little Night Music\", this light and characterful string trio is a must for string players and Mozart enthusiasts to explore alongside the famous \"Little Night Music\" \u003cem\u003e(Eine kleine Nachtmusik K525)\u003c\/em\u003e. This Urtext edition of the work includes the score, separate parts, a preface with historical placement, and critical commentary.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42659507699847,"sku":"EP20028","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/5958187e60f869a6f5560427a91f1cf5.jpg?v=1780316884"},{"product_id":"grndahl-in-the-blue-mountains-op-44-peters","title":"Backer Grøndahl: In the Blue Mountains, Op. 44","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Agathe Backer Grøndahl (1847-1907)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: In the Blue Mountains (Blaafjellet) (Fairy Tale Suite), Op. 44\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024479\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 32\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20008.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAgathe Backer Grøndahl is primarily known as an accomplished Norwegian pianist, but her brilliant compositions have received little attention to date. The 'fairytale suite' \u003cem\u003eI Blaafjellet, Op. 44\u003c\/em\u003e , consists of six virtuoso piano movements of great originality and beauty, inspired by Norwegian mythical creatures. First-ever Urtext edition, edited by Christian Grøvlen, following the original 1896 edition, which was out of print for many years.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42659507798151,"sku":"EP20008","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/12d3120c92386779241915fe505bf12d.jpg?v=1750715538"},{"product_id":"mozart-masterpieces-for-piano-peters","title":"Mozart: Masterpieces for Piano","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Wolfgang Amadeus Mozart (1756-1791)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024547\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20010.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eMozart: Masterpieces for Piano\u003c\/em\u003e brings together original piano works by Wolfgang Amadeus Mozart, suitable for intermediate to advanced level players. Arranged in progressive order, the collection includes a mixture of favorites and lesser-known works, with a cover design featuring Jean Honoré Fragonard's painting, \u003cem\u003eThe Swing\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eMasterpieces for Piano\u003c\/em\u003e series presents superb collections of core repertoire by the great piano composers. These beautifully produced, carefully curated editions provide pianists with an excellent overview of each composer and should be an essential part of all players' libraries. Suitable for intermediate to advanced level players.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42660162175111,"sku":"EP20010","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/61dbae6254abbe418be449dae5568763.jpg?v=1750717253"},{"product_id":"grieg-haugtussa-song-cycle-op-67-peters","title":"Grieg: Haugtussa Song Cycle, Op. 67","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Edvard Grieg (1843-1907)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Martje Vande Ginste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText by\u003c\/strong\u003e: Arne Garborg (1851-1924)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Medium Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Haugtussa Song Cycle, Op. 67\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eNorwegian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024813\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20020.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eGrieg's \u003cem\u003eHaugtussa Song Cycle, Op. 67\u003c\/em\u003e is one of the masterpieces of his song oeuvre. It is eight settings from the epic self-titled poem by Arne Garborg, about a shepherd girl. Known as \"Haugtussa\"(\"hill troll girl\") due to her clairvoyance and deep connection to nature and mythical beings, she must overcome societal exclusion through courage and self-reflection. Grieg was not only fascinated by the natural mysticism of this poem, but also by the musicality of the then newly established Norwegian written language, which he described as a \"world of unborn music.\" The edition presents the song cycle in its original form with Norwegian lyrics; the melodic inflection of this language shapes the distinctive character of the composition. The work, scored for medium voice and piano, lasts around 26 minutes and is suitable for intermediate level singers. This edition includes introductory texts by Johannes Holtmon (Curator of Music, Kode) and Martje Vande Ginste (editor, singer), literal translations, and pronunciation guides. All songs are also available to download as audio files, both sung and spoken.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":42676660699271,"sku":"EP20020","price":22.95,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754123423879,"sku":"PET.56437","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/977dcd37a44397bb5d2321bd6c5005dc.jpg?v=1784717982"},{"product_id":"bach-suites-for-solo-trumpet-peters","title":"Bach: Suites for Solo Trumpet","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Johann Sebastian Bach (1685-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTranscriber\u003c\/strong\u003e: Jonathan Freeman-Attwood (1961-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eTrumpet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025292\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSuites for Solo Trumpet\u003c\/em\u003e presents a transcription of J.S. Bach's \u003cem\u003e6 Suites for Solo Cello (BWV 1007–1012)\u003c\/em\u003e , arranged for solo trumpet (in B-flat and in C). This edition has been arranged and edited by acclaimed trumpeter and Principal of the Royal Academy of Music in London, Jonathan Freeman-Attwood.\u003c\/p\u003e\n\u003cp\u003eOffering trumpet players a gateway into Bach's iconic suites, the edition combines technical challenge with expressive artistry in the spirit of the great composer. with sensitivity and insight, Freeman-Attwood translates Bach's musical language into a compelling idiom for the trumpet, making it a new cornerstone of the instrument's repertoire. This edition is intended for advanced trumpet players.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eCello Suite No. 1 in G Major, BWV 1007\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 2 in D Minor, BWV 1008\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 3 in C Major, BWV 1009\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 4 in E-flat Major, BWV 1010\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 5 in C Minor, BWV 1011\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 6 in D Major, BWV 1012\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42767913287815,"sku":"EP20029","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/100ac782a564f5b00d18a34a7a89f3fb.jpg?v=1784916488"},{"product_id":"roskell-essential-piano-technique-level-3-peters","title":"Roskell: Essential Piano Technique Level 3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eAuthors\u003c\/strong\u003e: Penelope Roskell, Aaron Burrows\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024882\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePenelope Roskell, author of the award-winning book The Complete Pianist, is recognised as one of the world's leading exponents of a natural and healthy piano technique. Her series Essential Piano Technique draws on the principles of The Complete Pianist to develop a strong foundation of healthy technique, helping young pianists to progress rapidly and confidently through the early stages of piano playing.\u003c\/p\u003e\n\u003cp\u003eEssential Piano Technique Level 3 can be used by pianists working at early intermediate level as a stand-alone technique book or alongside existing tutor books to enhance the teaching of good technique. It includes detailed notes for teachers, giving learning objectives and teaching tips, links to free videos showing technique in practice, and teacher accompaniment duets to provide a rich musical experience.\u003c\/p\u003e\n\u003cp\u003ePenelope Roskell is Professor of Piano and Piano Pedagogy at Trinity Laban Conservatoire of Music and Dance, London. She is a world-leader in the field of healthy piano playing, and Piano Adviser to the British Association for Performing Arts Medicine. Her award-winning book, The Complete Pianist, is the leading book on healthy piano technique. As a soloist she has performed in Major concert halls in more than thirty countries.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42770397593735,"sku":"EP20025","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/7e885c691b58a7633890178dc7f6a380.jpg?v=1749793216"},{"product_id":"lewis-spinner-peters","title":"Lewis: Spinner","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: George Lewis (1952-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Spinner\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025452\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP68759.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn his virtuoso showcase for cellist Mariel Roberts, George Lewis combines finely detailed glissandi, rhythmic taps with a Superball, variable bow pressures, and harmonic arpeggios to portray the Fates, three sister goddesses in Greek mythology: Clotho, who spun the threads of life; Lachesis, who chose their lengths; Atropos, who cut the threads at death. Roberts commissioned Spinner, premiered its single movement at National Sawdust in New York City, and recorded it on the solo album Cartography.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42770417451143,"sku":"EP68759","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/1be84bd9a7121bbda0d7cbaf93a72ecd.jpg?v=1786711725"},{"product_id":"the-complete-chopin-rondos-peters","title":"The Complete Chopin: Rondos","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Frédéric Chopin (1810-1849)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: David Rowland\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577011073\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP72781.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWith the publication of Chopin's \u003cem\u003eRondos\u003c\/em\u003e , another volume is added to the series \u003cem\u003eThe Complete Chopin – A New Critical Edition\u003c\/em\u003e(Editor-in-chief: John Rink; Series Editors: Jim Samson, Jean-Jacques Eigeldinger \u0026amp; Christophe Grabowski). Frédéric Chopin's \u003cem\u003eRondos\u003c\/em\u003e represent an essential part of the composer's œuvre, with the \u003cem\u003eRondo in C Minor, Op. 1\u003c\/em\u003e marking the beginning of his career as a published composer. This edition includes not only his first published work but also the \u003cem\u003eRondos, Op. 5, Op. 16\u003c\/em\u003e , and \u003cem\u003eOp. posth. 73\u003c\/em\u003e for solo piano. This Urtext edition, edited by David Rowland, is based on Chopin's autograph manuscripts as well as first editions published in Poland, France, Germany, and England. in addition to a methodological introduction by the Series Editors, the volume features an instructive preface by David Rowland (English, French, and German) and a critical commentary. It also includes illustrations from the first edition of \u003cem\u003eOp. 1\u003c\/em\u003e as well as fingering by Polish pianist Karol Mikuli, a student of Chopin. with a total playing time of approximately 37 minutes, this volume is aimed at advanced pianists.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eRondo in C Minor, Op. 1\u003c\/li\u003e\n\u003cli\u003eRondo à la mazur in F Major, Op. 5\u003c\/li\u003e\n\u003cli\u003eRondo in E-flat Major, Op. 16\u003c\/li\u003e\n\u003cli\u003eRondo in C Major (Version for Solo Piano), Op. 73\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42776965349511,"sku":"EP72781","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/16e0628f1965f11363d42a787df1cb56.jpg?v=1750717268"},{"product_id":"panufnik-grant-us-peace-peters","title":"Panufnik: Grant Us Peace","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Roxanna Panufnik (1968-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrgan, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Grant Us Peace\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024950\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP73774.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"When The Galileo Foundation approached me to compose something for their Peace \u0026amp; Philanthropy Summit in October 2024, I was working a setting of a 2,000-year-old Hebrew blessing Sim Shalom for The Liberal Jewish Synagogue's Yom Kippur service.\u003c\/p\u003e\n\u003cp\u003eThe sentiments of this blessing seemed so completely universal that I decided to make an English version of Sim Shalom for Galileo, with peaceful and respectful greetings from different faiths, in their respective languages.\u003c\/p\u003e\n\u003cp\u003eStarting low and in a Minor harmony, \u003cem\u003eGrant us Peace\u003c\/em\u003e rises and becomes more Major, increasingly permeated with hope. The setting finishes with a passionate and optimistic C Major chord, in ardent hope that our prayer is heard.\u003c\/p\u003e\n\u003cp\u003eI am hugely grateful to The Galileao Foundation for commissioning this and including me in their vital summit.\"\u003c\/p\u003e\n\u003cp\u003e---Roxanna Panufnik, 20 August 2024\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Vocal Score","offer_id":42776965382279,"sku":"EP73774","price":6.95,"currency_code":"USD","in_stock":true},{"title":"Vocal Score - Digital Download","offer_id":44754120769671,"sku":"PET.54893","price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/721aa8216db46feda57fb7514b11675a.jpg?v=1784898260"},{"product_id":"williams-inviolata-after-lusitano-peters","title":"Williams: Inviolata (after Lusitano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Roderick Williams (1965-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Choral Octavo\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eMixed Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Inviolata (after Lusitano)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eLatin\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025322\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP73786.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"\u003cem\u003eInviolata\u003c\/em\u003e is an act of homage set on top of another act of homage. When the motet by Josquin des Pres (c. 1450 – 1521) first appeared in print around 1519, he set the bar high for all composers (and there were several) who followed in his wake. His five-part polyphonic decoration of the 'Inviolata, integra et casta es Maria' plainsong is in three sections and includes a double, canonic cantus firmus running throughout at the fifth. This demonstration of technical expertise feels effortless in Josquin's hands. Vicente Lusitano (c. 1520 – 1561), a Portuguese composer possibly of African descent, took up the challenge and more; he decided to retain the double canon but add extra voices to create his an eight-part texture. Lusitano's neglected place in history has garnered a lot of interest recently and Rory McCleery with the Marion Consort have been powerful advocates for his music.\u003c\/p\u003e\n\u003cp\u003eRory invited me to compose my own response to Lusitano's \u003cem\u003eInviolata\u003c\/em\u003e setting. I would be adding a third layer on top of Josquin's original, as seen through Lusitano's eyes and then my own. While I did consider constructing my own eight-part polyphonic texture in kind, I acknowledge that I am no Josquin! Besides which, the harmonic rules that governed Josquin and Lusitano barely apply in my century which makes the exercise largely redundant. This is something I explore a little by adding my own musica ficta (modern-day accidentals) to Part One of Lusitano's original, before my 21st century harmony takes the music in a different direction. Instead, thanks to a suggestion from my older brother (who happens to be an expert practitioner of Medieval and early Renaissance polyphony), I thought to go back a stage further even than Josquin's setting and consider the plainsong itself. This was the original melody and text that inspired the whole chain of compositions and I wondered whether it could be my basis for an exploration of plainsong, homophony, organum and polyphony, a sort of mini-history lesson in music.\u003c\/p\u003e\n\u003cp\u003eAdded to this commission was the circumstances of its premiere as a recording. It was devised for a project in which each individual consort voice was recorded separately in order to be played from an individual speaker. The resulting sound installation was arranged in an otherwise empty room, giving an audience member complete freedom to roam and experience the voices individually at point-blank range or together as part of the full consort. This gave me an opportunity to play with sound and space, having singers at times whisper text into one's ear, as though hearing scraps in the darkness of an abbey cloister. Mixing English with Latin also allowed me to explore the passionate emotion of this Marian text and the extraordinary position Mary holds within the Catholic faith. What Josquin or Lusitano might make of it we shall never know but the homage to their versions is present within my own.\"\u003c\/p\u003e\n\u003cp\u003e---Roderick Williams\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42776965611655,"sku":"EP73786","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/acf53442cd7bd974fde9409fc4886399.jpg?v=1750717270"},{"product_id":"bach-a-piano-treasury-peters","title":"Bach: A Piano Treasury","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Johann Sebastian Bach (1685-1750)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024790\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e10.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e7.5\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eJ.S. Bach: A Piano Treasury offers the perfect introduction to the keyboard works of Johann Sebastian Bach. This carefully curated collection presents 25 pieces at an easy to intermediate level, drawn from Bach's most renowned keyboard cycles (The Well-Tempered Clavier, Inventions and Sinfonias, Goldberg Variations, The Art of Fugue), as well as from the celebrated Notebooks – personal collections that Bach compiled primarily for the musical education of his family. The selection is complemented by piano arrangements of three of Bach's most beloved melodies.\u003c\/p\u003e\n\u003cp\u003eThe edition is presented in an attractive landscape format, inspired by the original layout of the Klavierbüchlein, making it especially well-suited to the piano music stand. An ideal gift for pianists who wish to discover Bach's keyboard music, it was produced in collaboration with the Bach Archive Leipzig and includes a foreword by its Director, Peter Wollny.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42776965709959,"sku":"EP20014","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/9c54cfd0aa758fc79a356053eee6267d.jpg?v=1750717271"},{"product_id":"roskell-essential-piano-technique-level-2-peters","title":"Roskell: Essential Piano Technique Level 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eAuthors\u003c\/strong\u003e: Penelope Roskell, Aaron Burrows\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024875\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePenelope Roskell, author of the award-winning book The Complete Pianist, is recognised as one of the world's leading exponents of a natural and healthy piano technique. Her series Essential Piano Technique draws on the principles of The Complete Pianist to develop a strong foundation of healthy technique, helping young pianists to progress rapidly and confidently through the elementary stages of piano playing.\u003c\/p\u003e\n\u003cp\u003eEssential Piano Technique Level 2 can be used by elementary pianists as a stand-alone technique book or alongside existing tutor books to enhance the teaching of good technique. It includes detailed notes for teachers giving learning objectives and teaching tips, links to free videos showing technique in practice, and teacher accompaniment duets to provide a rich musical experience.\u003c\/p\u003e\n\u003cp\u003ePenelope Roskell is Professor of Piano and Piano Pedagogy at Trinity Laban Conservatoire of Music and Dance, London. She is a world-leader in the field of healthy piano playing, and Piano Adviser to the British Association for Performing Arts Medicine. Her award-winning book, The Complete Pianist, is the leading book on healthy piano technique. As a soloist she has performed in Major concert halls in more than thirty countries.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42776967970951,"sku":"EP20024","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/af8943b7c693db4c1479932213493c14.jpg?v=1749318018"},{"product_id":"panufnik-wild-ways-peters","title":"Panufnik: Wild Ways","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Roxanna Panufnik (1968-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eMixed Choir, Shakuhachi\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Wild Ways\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, Japanese\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577007762\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP71895a.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn 2005, ji-nashi shakuhachi player Kiku Day approached me to write a piece for her, as part of her mission to increase the use of the shakuhachi (Japanese bamboo flute) in Western classical music. When she played to me, its warmth and huskiness seemed so spookily like a human voice that I decided an a cappella double choir setting of words would best complement it. We found a choir – the Nonsuch Singers – brave enough to enter into this project and Kiku found me the wild and wonderful poems of Ikkyu Soyun, a 15th Century Zen master whose timeless words cover the entire gamut of human emotion and are beautifully translated by John Stevenson. The poems are often very short, so each movement is a compilation of two or three of them.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCrazy Cloud was a name that Ikkyu gave himself when in 1428 he finished his Zen training and went his own \"wild way\". The movement starts with a boisterous \"Noh Theatre\"-style acclamation of his nickname in Japanese and the music is \"Blown about madly\" by shakuhachi and voices alike.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFor 2. Love Song, I have used a beautiful and poignant Japanese lullaby called \"Edo Komoriuta\" (meaning \"Lullaby from Edo\", the old name for Tokyo) as a backdrop to two of Ikkyu's highly romantic and sensual poems. The lullaby is sung in Japanese and the words depict the loss of a little boy's beloved nursemaid who has gone back to her home. This chimes with how Ikkyu feels at the loss of his true love to another man.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAutumn Night brings together three of the many poems that Ikkyu wrote which mention this season. During my research into Japanese traditional music I was introduced to mnemonics – a form of aural transmission of music through the natural pitch patterns of various vowel and consonant sounds. These \"words\" don't actually mean anything but if you try saying the percussion line, Tsu ta pon tsu-ta tsu po-po-pon etc., you will see how the sounds automatically come out as a rough pitch and rhythmic pattern. These are mnemonics taken from a Kabuki dance called \"Goro Tokimune\". The process is reversed as in the middle verse when the shakuhachi provides the melody whilst the choir recites the words.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eThere are many people without whom this piece would not exist. I would like to thank Keith Howard for pointing Kiku into my direction, Kiku for bringing me into the wonderful and extraordinary world of the shakuhachi and to David Hughes for his patient teaching of the elements of Japanese traditional music. Thanks also go to Graham Caldbeck and the Nonsuch Singers who have worked incredibly hard to get this project off the ground. We owe a huge debt of gratitude also to both the Sasakawa and PRS Foundations for their financial support of the commission.\u003c\/p\u003e\n\u003cp\u003eRoxanna Panufnik\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Vocal Score","offer_id":42815398346887,"sku":"EP71895A","price":12.95,"currency_code":"USD","in_stock":true},{"title":"Vocal Score - Digital Download","offer_id":44757667315847,"sku":"PET.60033","price":47.99,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42922076733575,"sku":"EP71895","price":53.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/b9e3f3a90b8ca09ed5d9f6d27578d1f7.jpg?v=1784035708"},{"product_id":"prokofiev-flute-sonata-op-94-peters","title":"Prokofiev: Flute Sonata, Op. 94","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Sergei Prokofiev (1891-1953)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Flute Sonata in D Major, Op. 94\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014031695\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 80\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP4781A.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposed in 1943, Prokofiev's \u003cem\u003eFlute Sonata\u003c\/em\u003e , Op. 94 is now regarded as a cornerstone of 20th-century flute repertoire. Written during the composer's wartime exile in Perm, far from the front line, the work unfolds a musical language of striking lightness, lyrical beauty, and formal clarity. This four-movement sonata demands a wide range of technical and tonal abilities from the performer: precise articulation, confident command of the upper register, virtuosic agility and a keen sensitivity to tonal color and musical contrast. in its expressive depth and compositional refinement, Prokofiev's \u003cem\u003eSonata\u003c\/em\u003e stands on equal footing with the great Romantic sonatas for violin and cello. It offers flautists a rich addition to their repertoire, that both challenges and cultivates technical mastery and interpretive insight.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":42948565794951,"sku":"EP4781A","price":18.95,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754351423623,"sku":"PET.60035","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/57c146f2f118441377f29ea697e4bff8.jpg?v=1784727247"},{"product_id":"bach-selected-movements-for-solo-trumpet-transcribed-from-the-cello-suites-peters","title":"Bach: Selected Movements for Solo Trumpet transcribed from the Cello Suites","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Johann Sebastian Bach (1685-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eArranger\u003c\/strong\u003e: Jonathan Freeman-Attwood (1961-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eTrumpet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025308\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 32\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20030.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSelected Movements for Solo Trumpet transcribed from the Cello Suites\u003c\/em\u003e presents a carefully curated selection of twelve movements from Bach's \u003cem\u003eSix Suites for Solo Cello\u003c\/em\u003e (BWV 1007–1012), expertly transcribed for B-flat trumpet by Jonathan Freeman-Attwood, who translates Bach's musical language in a compelling idiom for the instrument. Selected to be suitable for intermediate to advanced level players, this edition also includes a detailed Preface, Critical Commentary, and Further Reading. This selection offers trumpet players an accessible entry point into Bach's iconic \u003cem\u003eCello Suites\u003c\/em\u003e , featuring pieces that can be approached with relative ease by those developing technical proficiency and musical assurance.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePrelude, Courante, Sarabande, Minuets I and II from Cello Suite No. 1 in G Major, BWV 1007\u003c\/li\u003e\n\u003cli\u003eCourante, Gigue from Cello Suite No. 5 in C Minor, BWV 1011\u003c\/li\u003e\n\u003cli\u003eCourante, Bourrées I and II from Cello Suite No. 3 in C Major, BWV 1009\u003c\/li\u003e\n\u003cli\u003eSarabande from Cello Suite No. 2 in D Minor, BWV 1008\u003c\/li\u003e\n\u003cli\u003eSarabande, Gavottes I and II from Cello Suite No. 6 in D Major, BWV 1012\u003c\/li\u003e\n\u003cli\u003eGigue from Cello Suite No. 4 in E-flat Major, BWV 1010\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42948576215175,"sku":"EP20030","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/8cca71bc817c731ec7a6d266095e95bb.jpg?v=1775660420"},{"product_id":"chaminade-piano-works-volume-1-klavierwerke-peters","title":"Chaminade: Piano Works Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Cécile Chaminade (1857-1944)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025476\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 72\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20032.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCécile Chaminade was a world-renowned composer and pianist who was celebrated in her lifetime with numerous prestigious awards and a global following, but unfortunately her legacy has been largely overlooked in modern times. \u003cem\u003ePiano Works Volume 1\u003c\/em\u003e seeks to redress this by making these original and artistically rich works available, many of them for the first time since their initial publication around the turn of the 20th Century. This carefully curated selection of 12 pieces offers an engaging and varied playing experience, suitable for performance at home or on the concert stage, while also providing a compelling overview of Chaminade's distinctive compositional voice. Aimed at intermediate level pianists, this edition serves as a vital gateway to the rediscovery of a remarkable and unjustly forgotten composer.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePièce Romantique, Op. 9, No. 1\u003c\/li\u003e\n\u003cli\u003eAubade, Op. 140\u003c\/li\u003e\n\u003cli\u003eScherzo-Valse, Op. 148\u003c\/li\u003e\n\u003cli\u003eMélancolie, Op. 25\u003c\/li\u003e\n\u003cli\u003eChanson d'orient, Op. 157\u003c\/li\u003e\n\u003cli\u003eBerceuse arabe, Op. 166\u003c\/li\u003e\n\u003cli\u003eOrientale, Op. 22\u003c\/li\u003e\n\u003cli\u003eAir italien, Op. 170\u003c\/li\u003e\n\u003cli\u003eMoment musical, Op. 103\u003c\/li\u003e\n\u003cli\u003eTerpsichore, Op. 81\u003c\/li\u003e\n\u003cli\u003eL'Ondine, Op. 101\u003c\/li\u003e\n\u003cli\u003eAu pays dévasté, Op. 155\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42948592763015,"sku":"EP20032","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/dd05beb4ba41e913cd1bbb8fc1e26ce0.jpg?v=1783442367"},{"product_id":"notebook-for-wilhelm-friedemann-bach-peters","title":"Bach: Notebook for Wilhelm Friedemann Bach","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Johann Sebastian Bach (1685-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Christoph Wolff\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025766\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e8.3\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 152\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20034.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBach's ‘notebooks' provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. The Notebook for Wilhelm Friedemann Bach was compiled for Johann Sebastian's eldest son, who himself went on to become one of the leading organists, improvisers and composers of his day. The book contains systematic exercises, first or early versions of three of Bach's most important keyboard cycles (some of the preludes from the Well-Tempered Clavier, Preambulums for the Two-part Inventions and Fantasias for the Three-part Sinfonias) and suites by Richter, Telemann and Stölzel among other items.\u003c\/p\u003e\n\u003cp\u003eThis Urtext edition is presented in an attractive landscape format, inspired by the original layout of the Notebook, making it especially well-suited to the piano music stand. It presents cutting-edge scholarship from the world's leading Bach authority Professor Christoph Wolff including the most up-to-date research regarding attributions of authors and writers, new fragments brought to light by recently rediscovered manuscripts and the latest dating of sources.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":43393925808263,"sku":"EP20034","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/14f2108cc45258821755caf848c8e515.jpg?v=1769008657"},{"product_id":"four-characteristic-waltzes-op-22-peters","title":"Coleridge-Taylor: Four Characteristic Waltzes, Op. 22","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Samuel Coleridge-Taylor (1875-1912)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Four Characteristic Waltzes, Op. 22\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025544\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 36\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20033.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAs the illegitimate son of an English woman and a man from Sierra Leone, Samuel Coleridge-Taylor overcame the constraints of Victorian society to become an acclaimed composer and a symbol of hope for racial equality, earning international fame during his lifetime. His Four Characteristic Waltzes, Op. 22, originally written for orchestra and arranged here by the composer for violin and piano, are ideal concert pieces that explore the expressive range of the waltz form: from the Dvořák-inspired Valse bohémienne, through the tender simplicity of the Valse rustique, to the serene Valse de la Reine and the fiery brilliance of the Valse mauresque. Lyrical and idiomatic for violin, with a rich, full piano part, these pieces offer rewarding repertoire for intermediate to advanced players and a delightful rediscovery of Coleridge-Taylor's elegant, expressive style. with an introduction by violinist Maya Magub.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":43393939669127,"sku":"EP20033","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/69adc27319e187980c084da2bcfb1b92.webp?v=1761636089"},{"product_id":"symphonic-concerto-for-cello-and-piano-op-125-peters","title":"Symphonic Symphony-Concerto in E Minor, Op. 125","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Sergei Prokofiev (1891-1953)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Mstislav Rostropovich\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Solo Part with Piano Reduction\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello, Piano Reduction\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Symphony-Concerto in E Minor, Op. 125\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577024301\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 88\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eSergei Prokofiev's Symphonic Concerto for Cello and Piano, Op. 125 stands as a monumental achievement in the 20th-century cello repertoire. Composed between 1950 and 1952 in close collaboration with volume editor Mstislav Rostropovich, the Symphonic Concerto is a comprehensive reworking of Prokofiev's earlier Cello Concerto, Op. 58. The composer expanded the traditional concerto form by combining it with symphonic elements to striking effect. This reprint of a licensed historical edition, intended for intermediate to advanced players, features a piano reduction that incorporates both the orchestral part and the original solo cello line. A separately inserted cello part reflects Rostropovich's interpretation, including his fingerings and bowings.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":43407787982983,"sku":"EP4757","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/066ed2f0dc379003c14a6032d1662fa5.webp?v=1761663951"},{"product_id":"uplifted-voices-peters","title":"Uplifted Voices","description":"\u003cul\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSSAA Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eVarious\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025896\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP20042.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eUplifted Voices\u003c\/strong\u003e\u003c\/em\u003e celebrates the diversity and richness of choral music with an engaging selection of works for SSA\/SSAA by renowned women composers of many nationalities spanning the last three centuries. Alongside well-known pieces, the collection presents numerous previously unpublished works by historical composers such as Elfrida Andrée, Louise Adolpha Le Beau, and Florence Price, complemented by selected pieces from contemporary composers including Vivienne Olive and Marie-Claire Saindon. Short biographies of all composers are included, and all song texts are provided with translations into both English and German.\u003c\/p\u003e\n\u003cp\u003eElegantly curated and highly practical, the volume offers upper-voice choirs easy-to-sing and rewarding repertoire. The edition was produced in collaboration with Archiv Frau and Musik.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuf, ihr Schwestern\u003c\/strong\u003e (Emilie Zumsteeg)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrühzeitiger Frühling\u003c\/strong\u003e (Fanny Hensel)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLa gallina\u003c\/strong\u003e (Pauline Viardot Garcia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVind, som mig smeker, Op. 31, No. 2\u003c\/strong\u003e (Laura Netzel)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVaknen\u003c\/strong\u003e (Elfrida Andrée, arr. Elsa Stenhammar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMondnacht, Op. 33, No. 1\u003c\/strong\u003e (Agnes Tyrrell)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDe røde roser i lunden stå\u003c\/strong\u003e (Agathe Backer Grøndahl)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLe Joli Chemin\u003c\/strong\u003e (Eva Dell'Acqua)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSanctus, Op. 65\u003c\/strong\u003e (Louise Adolpha Le Beau)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoir de Mai\u003c\/strong\u003e (Helena Munktell)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGleich and gleich, Op. 13\u003c\/strong\u003e (Catharina van Rennes)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKyrie, Op. 167\u003c\/strong\u003e (Cécile Chaminade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe March of the Women \/ Marsch der Frauen\u003c\/strong\u003e (Ethel Smyth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Little Brown Bee\u003c\/strong\u003e (Amy Beach)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Moon Bridge\u003c\/strong\u003e (Florence Price)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePotpoliš\u003c\/strong\u003e (Vítězslava Kaprálová)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUm vielerlei Gaben\u003c\/strong\u003e (Erna Woll)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchläft ein Lied in allen Dingen\u003c\/strong\u003e (Felicitas Kukuck)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLove Came So Lightly\u003c\/strong\u003e (Vivienne Olive)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJubilate Deo\u003c\/strong\u003e (Laura Sheils)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePyramus et Thisbe\u003c\/strong\u003e (Erika Budai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOdo yá, Yemojá!\u003c\/strong\u003e (Andréa Huguenin-Botelho)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMein Tanzlied\u003c\/strong\u003e (Julia Schwartz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSanctus from: Missa Brevis\u003c\/strong\u003e (Yudania Gómez Heredia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDe ce roseau\u003c\/strong\u003e (Marie-Claire Saindon)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44195035709575,"sku":"EP20042","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/5d71d54d012f3472b9a13827a0ce5ddf.webp?v=1774885865"},{"product_id":"the-complete-chopin-etudes-op-25-peters","title":"The Complete Chopin: Études, Op. 25","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Frédéric Chopin (1810-1849)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Roy Howat (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577015743\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP73228.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWith the publication of Chopin's \u003cem\u003eÉtudes\u003c\/em\u003e, Op. 25, another landmark volume joins the acclaimed series \u003cem\u003eThe Complete Chopin\u003c\/em\u003e -- A New Critical Edition. Chopin's \u003cem\u003eÉtudes\u003c\/em\u003e occupy a central place in the piano repertoire, revered by generations of pianists not only for their technical demands but also for their exceptional musicality, which transcends the concept of mere 'studies.' The undeniable compositional quality of those pieces is perhaps best captured by Robert Schumann, who described Étude, Op. 25, No. 2 as: 'So charming, dreamy and quiet, like the singing of a child in its sleep.' This Urtext edition, edited by Roy Howat, presents all 12 Études composed in 1835 and is intended for advanced pianists.\u003c\/p\u003e\n\u003cp\u003eThe Complete Chopin -- A New Critical Edition series is recognised as the definitive scholarly edition of Chopin's music. Under the direction of editor-in-chief John Rink, a team of some of the world's most respected Chopin specialists contribute their unrivalled collective knowledge to imbue the project with unique authority, drawing upon the latest international scholarship. The Complete Chopin prioritises the needs of the practical pianist and provides a text of each work based on a single principal source together with important variants from other authoritative sources, along with thorough critical commentaries and prefatory essays in English, French and German.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eEtude in A-flat Major, Op. 25, No. 1\u003c\/li\u003e\n\u003cli\u003eEtude in B Minor, Op. 25, No. 10\u003c\/li\u003e\n\u003cli\u003eEtude in A Minor, Op. 25, No. 11\u003c\/li\u003e\n\u003cli\u003eEtude in C Minor, Op. 25, No. 12\u003c\/li\u003e\n\u003cli\u003eEtude in F Minor, Op. 25, No. 2\u003c\/li\u003e\n\u003cli\u003eEtude in F Major, Op. 25, No. 3\u003c\/li\u003e\n\u003cli\u003eEtude in A Minor, Op. 25, No. 4\u003c\/li\u003e\n\u003cli\u003eEtude in E Minor, Op. 25, No. 5\u003c\/li\u003e\n\u003cli\u003eEtude in G-sharp Minor, Op. 25, No. 6\u003c\/li\u003e\n\u003cli\u003eEtude in C-sharp Minor, Op. 25, No. 7\u003c\/li\u003e\n\u003cli\u003eEtude in D-flat Major, Op. 25, No. 8\u003c\/li\u003e\n\u003cli\u003eEtude in G-flat Major, Op. 25, No. 9\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44195069296775,"sku":"EP73228","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/9a3e6fa0c2bf8e35ea9ebf33d26ed861.webp?v=1773429018"},{"product_id":"lewis-high-road-low-road-peters","title":"Lewis: High Road, Low Road","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: George Lewis (1952-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eChamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: High Road, Low Road\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790300762449\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHigh Road, Low Road is for at least eight performers in an open instrumentation. The individuals lead other members of the ensemble. Instead of a score and conductor, a set of 38 cards guide the work with instructions that happen only once as well as events with multiple occurrences. George Lewis, a gifted improvisor, created High Road, Low Road for players with or without backgrounds in improvisation. Orpheus Music, Thought \u0026amp; Technology premiered this piece in April 2022 at Belgium's Concertgebouw Brugge.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44214346907783,"sku":"EP68797","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/e1e2a62c416a34e79846ef3737fe6ab5.webp?v=1773761672"},{"product_id":"lewis-creative-construction-settm-peters","title":"Lewis: Creative Construction Set™","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: George Lewis (1952-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eChamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Creative Construction Set™\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577026121\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCreated for the Splitter-Orchester of Berlin, an \"un-conducted, leaderless\" ensemble of twenty-four musicians, Creative Construction Set™ (CCS™) is a mobile, situational-form, open-instrumentation work for an ensemble of eight or more musical performers who, while improvising, make use of a set of instruction cards to create and explore sonic environments. Using the cards, any musician in the group can ask the entire group or any subset to make silences, get louder or softer, play higher or lower, denser or sparser, or even stop playing altogether. The cards provide each performer with the means to spontaneously realize group orchestrational ideas in relatively targeted and specific ways, allowing the creation of more complex musical situations than people could make by just acting alone. in this way, CCS™ enacts a sonic counterpublic in which musical decisions are produced via social relations, and discontinuity, support, and struggle become audible pathways to larger lessons for societies seeking to remain open to change, but also to justice. The title of the work pays homage to the \"Creative Construction Company,\" part of the experimental African American composer-performer collective, the Association for the Advancement of Creative Musicians.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44214351298695,"sku":"EP68691","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/ae62fd27c140739682640d8cb34fbc31.webp?v=1773760243"},{"product_id":"coates-reaching-for-the-moon-peters","title":"Coates: Reaching for the Moon","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Gloria Coates (1938-2023)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eFlute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Reaching for the Moon\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138257\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn 1987\/1988 Gloria Coates wrote a solo for alto recorder in collaboration with the recorder player Dörte Nienstedt. Extreme dynamic increases, simultaneous playing and singing, hard accents, fluttering tonguing, multiphonics, upward glissandi and vibrato go beyond the usual framework of music for recorder and led to the title ‘Breacking through'.\u003c\/p\u003e\n\u003cp\u003eThe version for transverse flute was written with Edmund Wächter (premiere 19 October 1988). The main aim was to utilise the greater range of the transverse flute and to transfer the expressive elements. Glissandi and multiphonics in particular demanded new fingerings. As no specific sounds were required for the multiphonics, but the additional notes were to determine the colour and expression of the main tone, there were many possibilities here, which the composer had played for two days in various combinations until she finally found her favoured sounds in this empirical approach. As it was ultimately an independent piece, it was also to be given its own title and after the first performances took place under various names (‘Breaking Through III', ‘Breaking out'), ‘Reaching for the Moon' finally emerged.\u003c\/p\u003e\n\u003cp\u003eTwo additional versions with tape were also heard at the premiere: In ‘Fiori', the flute enters into a dialogue with the perking and chattering of the cockatiel of a friend, Princess Maria Josepha of Saxony. and in ‘Fiori and the Princess', the princess also takes an active part in the ‘conversation'. Here it becomes clear that ‘Reaching for the Moon' was also conceived as ‘bird music', for which Gloria Coates received her first inspiration from a cockatoo in a pet shOp.\u003c\/p\u003e\n\u003cp\u003eThe opening motif (theme) serves as a formative element, which changes in parts and runs through the entire piece in fragments. A twelve-tone row with a song-like rhythm and a ‘quasi-sex chord' in a wide register at the beginning corresponds to listening habits, from which one is immediately torn away by fluttering tonguing and multiphonics.\u003c\/p\u003e\n\u003cp\u003eThis ‘theme' can also be found in other flute pieces by Gloria Coates, as a kind of ‘leitmotif' for flute:\u003c\/p\u003e\n\u003cp\u003e‘Lichtsplitter' for flute, viola and harp (1988)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eadditionally with percussion ‘Microtone Poem' (1988)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eadditionally with percussion and timpani ‘Transfer 482' (1992)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e‘Märchen Suite', from which \"Der kleine Däumling\" (1987)\u003c\/p\u003e\n\u003cp\u003e‘Phantom' for flute and piano (2004) is a duo version of \"Reaching for the Moon\" without reprise.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":44218207568007,"sku":"EP14599","price":13.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754287263879,"sku":"PET.58306","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/49a5c3ed66de26f44854df0189190fc9.webp?v=1774468759"},{"product_id":"garcia-prohibido-prohibited-peters","title":"Garcia: prohibido (prohibited)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Orlando Jacinto García (1954-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Quintet (Violin I, Violin II, Viola I, Viola II, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: prohibido (prohibited)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577026206\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP68856A.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" 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\u003cp\u003eDuring the 21-minute string quintet prohibido (prohibited in Spanish) by Orlando Jacinto García, the performers whisper words and phrases in English and Spanish, highlighting current and past repression of humanity for race, religion, and more \"in the service of power.\" The subtitle's \"imaginary ballet\" refers to the premiere of the orchestral prohibido (winner of the 2022 Walter Hinrichsen Award) by dancers from the Miami City Ballet with strings of the New World Symphony in January 2025.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44218737655943,"sku":"EP68856A","price":120.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/afc0357a3acca9cb98a1eab6144b4a8c.webp?v=1774045219"},{"product_id":"debussy-childrens-corner-peters","title":"Debussy: Children's Corner","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Claude Debussy (1862-1918)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Hans Swarsenski\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577086316\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP7252.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFirst published in 1908, Claude Debussy's \u003cem\u003eChildren's Corner\u003c\/em\u003e is regarded as a cornerstone of the piano repertoire. Although the six-movement suite for solo piano was dedicated to the composer's daughter and draws on the imaginative world of childhood, it is conceived for adult pianists. Rich in playful imagery, refined harmonic language, rhythmic subtlety, and technical sophistication, the work exemplifies Debussy's mature style and offers enduring rewards for performers and scholars alike. This edition includes a scholarly commentary by Dr. Julianne Lindberg, which contextualises the final movement, \"Golliwogg's Cakewalk,\" by providing historical background and critical reflection, enabling performers and readers to engage with the work in an informed and responsible manner.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eDoctor Gradus ad Parnassum\u003c\/li\u003e\n\u003cli\u003eJimbo's Lullaby\u003c\/li\u003e\n\u003cli\u003eSerenade for the Doll (Sérénade à la poupée)\u003c\/li\u003e\n\u003cli\u003eThe Snow is Dancing\u003c\/li\u003e\n\u003cli\u003eThe Little Shepherd\u003c\/li\u003e\n\u003cli\u003eGolliwogg's Cakewalk\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44285027057799,"sku":"EP7252","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/76d6b7b4e2c0a41cb69409cebd320069.jpg?v=1785788252"},{"product_id":"etudes-by-women-composers-peters","title":"Etudes by Women Composers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: Fanny (Mendelssohn) Hensel (1805-1847), Teresa Carreño (1853-1917), Elizabeth Turner (1700-1752), Clara Schumann (1819-1896), Florence Price (1887-1953), Mélanie Bonis (1858-1937), Hélène de Montgeroult (1764-1836), Kate Loder (1825-1904), Mathilde Berendsen Nathan (1857-1926), Marie Bigot (1786-1820), Caroline Mennechet de Barival (1813-1861), Louise Farrenc (1804-1875), Agathe Backer Grøndahl (1847-1907), Marie Jaëll (1846-1925), Cécile Chaminade (1857-1944), Maria Szymanowska (1739-1831)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Eva Meitner\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Harpsichord\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025933\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eÉtudes by Women Composers\u003c\/em\u003e is a collection of 42 ground-breaking pieces by female composers, providing exceptional enrichment and expansion of the standard piano repertoire. It is also a great tribute to the genius of women of the 18th to 20th centuries, who have taken an admirably unique approach to piano technique.\u003c\/p\u003e\n\u003cp\u003eCurated and edited by female composer expert Eva Meitner, the collection presents works ranging from intermediate to advanced levels in progressive order. The beautifully crafted pieces are ideal for study and performance, with notes on the technical points covered by each étude, and an index of the specific topics. Through the intelligent combination of musicality and technicality, students will improve their playing in a joyful and natural way. The edition is complemented by short biographies of the composers.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eFarrenc: Nos. 1-4 from 25 Easy Etudes (Vingt cinq études faciles), Op. 50\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 19\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 37\u003c\/li\u003e\n\u003cli\u003ePrice: Etude\u003c\/li\u003e\n\u003cli\u003eJaëll: Murmures du ruisseau from Les Beaux jours (The Good Days)\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 1\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 25\u003c\/li\u003e\n\u003cli\u003ePrice: The Goblin and the Mosquito\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 2\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 3\u003c\/li\u003e\n\u003cli\u003eBerendsen Nathan: Tre Etuder, Op. 1\u003c\/li\u003e\n\u003cli\u003eBigot: Nos. 1, 3 from Suite d'études\u003c\/li\u003e\n\u003cli\u003eHensel: Übungsstück (in in C Major,, H 88\u003c\/li\u003e\n\u003cli\u003eSzymanowska: Nos. 4, 10, 15, 18, 19, 20 from Vingt Exercises et Préludes\u003c\/li\u003e\n\u003cli\u003eFarrenc: No. 6, 27 from 30 Études dans tous les tons majeurs et mineurs, Op. 26\u003c\/li\u003e\n\u003cli\u003eCl. Schumann: Etüde in A-flat Major, WoO 4\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 22\u003c\/li\u003e\n\u003cli\u003eCl. Schumann: Prelude No. 1 in C Major\u003c\/li\u003e\n\u003cli\u003eTurner: No. 1 from 6 Lessons for the Harpsichord\u003c\/li\u003e\n\u003cli\u003eLoder: Nos. 1, 8, 12 from Twelve Studies\u003c\/li\u003e\n\u003cli\u003eChaminade: Étude, Op. 66\u003c\/li\u003e\n\u003cli\u003eMennechet de Barival: Nos. 1, 2 from 6 Études poétiques\u003c\/li\u003e\n\u003cli\u003eCarreño: Un Rêve en mer (Étude-Méditation)\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Étude No. 107\u003c\/li\u003e\n\u003cli\u003eBonis: Barcarolle-Étude, Op. 43\u003c\/li\u003e\n\u003cli\u003eChaminade: Toccata, Op. 39\u003c\/li\u003e\n\u003cli\u003eGrøndahl: No. 3 from 3 Etudes, Op. 22\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44411611807879,"sku":"EP20043","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/556eff776014788ce0cc3e61313cc4bb.jpg?v=1785591189"},{"product_id":"clara-schumann-masterpieces-for-piano-peters","title":"Clara Schumann Masterpieces for Piano","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Clara Schumann (1819-1896)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025797\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eClara Schumann: Masterpieces for Piano\u003c\/em\u003e brings together original piano works by Clara Schumann, suitable for intermediate to advanced level players. Clara Schumann was one of the most important piano virtuosos of her time and left behind an oeuvre which stands out for its consistently impressive quality. The collection provides a comprehensive picture of her compositional style and is rounded off by Clara Schumann's piano version of Robert Schumann's 'Widmung', a song dedicated to her, which reflects perfectly the intimacy, familiarity and soulfulness of this extraordinary artistic couple.\u003c\/p\u003e\n\u003cp\u003eThe Masterpieces for Piano series presents superb collections of core repertoire by the great piano composers. These beautifully produced, carefully curated editions provide pianists with an excellent overview of each composer and should be an essential part of all players' libraries. Suitable for intermediate to advanced level players.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eRomance in A Minor, WoO 28\u003c\/li\u003e\n\u003cli\u003eNos. 1, 2 from 3 Praeludien and Fuguen, Op. 16\u003c\/li\u003e\n\u003cli\u003eNo. 2 from 4 Polonaises, Op. 1\u003c\/li\u003e\n\u003cli\u003eNos. 1, 2 from 4 Flüchtige Stücke, Op. 15\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in F-sharp Minor\u003c\/li\u003e\n\u003cli\u003eEtüde in A-flat Major, WoO 4\u003c\/li\u003e\n\u003cli\u003eRomance from Piano Concerto in A Minor, Op. 7\u003c\/li\u003e\n\u003cli\u003eSoirées musicales, Op. 6\u003c\/li\u003e\n\u003cli\u003eNo. 2 from 3 Romances, Op. 11\u003c\/li\u003e\n\u003cli\u003e4 Pièces caractéristiques, Op. 5\u003c\/li\u003e\n\u003cli\u003eImpromptu in E Major, ICS 5\u003c\/li\u003e\n\u003cli\u003eRomance variée, Op. 3\u003c\/li\u003e\n\u003cli\u003eScherzo No. 2 in C Minor, Op. 14\u003c\/li\u003e\n\u003cli\u003eScherzo in D Minor, Op. 10\u003c\/li\u003e\n\u003cli\u003eSouvenir di Vienne, Op. 9\u003c\/li\u003e\n\u003cli\u003eSonata in G Minor, WoO 5\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44411627536519,"sku":"EP20037","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/b2fc2266aeb3d30ac6a65c21021dfb63.jpg?v=1781545998"},{"product_id":"buxtehude-the-complete-keyboard-works-volume-i-suites-and-variations-peters","title":"Buxtehude: The Complete Keyboard Works - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Dieterich Buxtehude (1637-1707)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Christoph Wolff\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrgan, Harpsichord \/ Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014135553\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP11616.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSuites and Variations\u003c\/em\u003e - Volume 1 of the four-volume series \u003cem\u003eThe Complete Keyboard Works\u003c\/em\u003e by Dieterich Buxtehude, is some of the most influential Baroque keyboard music of its time, even influencing the works of Johann Sebastian Bach. with the aim of bringing this repertoire more firmly into the spotlight, the renowned scholar and editor Christoph Wolff has prepared a practical, performer-oriented edition based on the critical Buxtehude edition The Collected Works (Broude Trust; Consulting Editor: Michael Belotti). This volume offers pianists a reliable, scholarly performance text and provides an authoritative and rewarding point of entry into Buxtehude's keyboard music. It includes an informative preface in German and English, along with extensive source and performance notes and a table of ornaments.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eSuite in C Major, BuxWV 226\u003c\/li\u003e\n\u003cli\u003eSuite in C Major, BuxWV 227\u003c\/li\u003e\n\u003cli\u003eSuite in C Major, BuxWV 228\u003c\/li\u003e\n\u003cli\u003eSuite in C Major, BuxWV 229\u003c\/li\u003e\n\u003cli\u003eSuite in C Major, BuxWV 230\u003c\/li\u003e\n\u003cli\u003eSuite in C Major (Cycle fragment?), BuxWV 231\u003c\/li\u003e\n\u003cli\u003eSuite in D Major (Cycle fragment?), BuxWV 232\u003c\/li\u003e\n\u003cli\u003eSuite in D Minor, BuxWV 233\u003c\/li\u003e\n\u003cli\u003eSuite in D Minor (Cycle fragment?), BuxWV 234\u003c\/li\u003e\n\u003cli\u003eCourante in D Minor, BuxWV Anh. 6\u003c\/li\u003e\n\u003cli\u003eSuite in E Minor, BuxWV 235\u003c\/li\u003e\n\u003cli\u003eSuite in E Minor, BuxWV 236\u003c\/li\u003e\n\u003cli\u003eSuite in E Minor, BuxWV 237\u003c\/li\u003e\n\u003cli\u003eSuite in F Major, BuxWV 238\u003c\/li\u003e\n\u003cli\u003eSuite in F Major, BuxWV 239\u003c\/li\u003e\n\u003cli\u003eSuite in G Major, BuxWV 240\u003c\/li\u003e\n\u003cli\u003eSuite in G Minor, BuxWV 241\u003c\/li\u003e\n\u003cli\u003eSuite in G Minor, BuxWV 242\u003c\/li\u003e\n\u003cli\u003eSuite in A Major, BuxWV 243\u003c\/li\u003e\n\u003cli\u003eSuite in A Minor, BuxWV 244\u003c\/li\u003e\n\u003cli\u003eAria: More Palatino in C Major (12 partite diverse), BuxWV 247\u003c\/li\u003e\n\u003cli\u003eAria: Rofilis in D Minor (3 partite diverse), BuxWV 248\u003c\/li\u003e\n\u003cli\u003eAria: La Capricciosa in G Major (32 partite diverse), BuxWV 250\u003c\/li\u003e\n\u003cli\u003eCourante simple in A Minor (8 partite diverse), BuxWV 245\u003c\/li\u003e\n\u003cli\u003eAria in C Major (with 10 variations), BuxWV 246\u003c\/li\u003e\n\u003cli\u003eAria in A Minor (3 partite diverse), BuxWV 249\u003c\/li\u003e\n\u003cli\u003eAuf meinen lieben Gott, BuxWV 179\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44413507207303,"sku":"EP11616","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/88e800abc00e43651782213d96f9f7c5.jpg?v=1786284635"},{"product_id":"buxtehude-the-complete-keyboard-works-volume-ii-preludes-toccatas-fugues-and-canzonas-peters","title":"Buxtehude: The Complete Keyboard Works - Volume 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Dieterich Buxtehude (1637-1707)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Christoph Wolff\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrgan\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014135560\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP11617.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003ePreludes, Toccatas, Fugues, and Canzonas\u003c\/em\u003e - Volume 2 of the four-volume series \u003cem\u003eThe Complete Keyboard Works\u003c\/em\u003e by Dieterich Buxtehude, is some of the most influential Baroque keyboard music of its time, even influencing the works of Johann Sebastian Bach.\u003c\/p\u003e\n\u003cp\u003eWith the aim of bringing this repertoire more firmly into the spotlight, the renowned scholar and editor Christoph Wolff has prepared a practical, performer-oriented edition based on the critical Buxtehude edition The Collected Works (Broude Trust; Consulting Editor: Michael Belotti). This volume offers pianists and organists a reliable, scholarly performance text and provides an authoritative and rewarding point of entry into Buxtehude's keyboard music. It includes an informative preface in German and English, along with extensive source and performance notes and a table of ornaments.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePrelude [man.] in G Major, BuxWV 162\u003c\/li\u003e\n\u003cli\u003ePrelude in [man.] in G Minor, BuxWV 163\u003c\/li\u003e\n\u003cli\u003eToccata [man.] in G Major, BuxWV 164\u003c\/li\u003e\n\u003cli\u003eToccata [man.] in G Major, BuxWV 165\u003c\/li\u003e\n\u003cli\u003eFugue in C Major, BuxWV 174\u003c\/li\u003e\n\u003cli\u003eFugue in G Major, BuxWV 175\u003c\/li\u003e\n\u003cli\u003eFugue in B Major, BuxWV 176\u003c\/li\u003e\n\u003cli\u003eCanzona in C Major, BuxWV 166\u003c\/li\u003e\n\u003cli\u003eCanzonetta in C Major, BuxWV 167\u003c\/li\u003e\n\u003cli\u003eCanzona in D Minor, BuxWV 168\u003c\/li\u003e\n\u003cli\u003eCanzonetta in E Minor, BuxWV 169\u003c\/li\u003e\n\u003cli\u003eCanzona in G Major, BuxWV 170\u003c\/li\u003e\n\u003cli\u003eCanzonetta in G Major, BuxWV 171\u003c\/li\u003e\n\u003cli\u003eCanzonetta in G Major, BuxWV 172\u003c\/li\u003e\n\u003cli\u003eCanzona in G Minor, BuxWV 173\u003c\/li\u003e\n\u003cli\u003eCanzonetta in A Minor, BuxWV 225\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44413512581255,"sku":"EP11617","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/7d82bbb9c8b58caeb9e0c94905d0f5b1.jpg?v=1775443526"},{"product_id":"lewis-endless-shout-peters","title":"Lewis: Endless Shout","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: George Lewis (1952-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Endless Shout\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577026152\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP68678.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eEndless Shout\u003c\/em\u003e is part of an open-ended, striated network of sonic codes that announce membership in what literary theorist Houston A. Baker Jr. calls the \"blues matrix.\" Baker's notion of \"blues utterance\" presents a living, mutable, mobile, noisy, unstable, vibrant--and ultimately infinite set of possibilities. The work pays homage to the great stride and boogie-woogie pianists: James P. Johnson, Luckey Roberts, Willie \"The Lion\" Smith, Thomas \"Fats\" Waller, Albert Ammons, Pete Johnson, Meade Lux Lewis, Dorothy Donegan, and Winifred Atwell. Endless Shout is dedicated to Muhal Richard Abrams (1930-2018), whose passion for the music of these brilliant artists led me to a deeper understanding of their impact on world culture, while provoking me to reinterpret blues utterance in the light of my own present-day experience. The piece was commissioned by the pianist Frederic Rzewski, who gave the first performance at the Ijsbreker (Amsterdam) in March, 1994. The work is organized in four movements, performed with suitable short pauses between them.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":44413530701959,"sku":"EP68678","price":23.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754056544391,"sku":"PET.58300","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/a3576a9122127594310c5fb6ce9dabe4.jpg?v=1784733363"},{"product_id":"panufnik-the-merton-service-peters","title":"Panufnik: The Merton Service","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Roxanna Panufnik (1968-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrgan, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Merton Service\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025957\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP73817.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCommissioned by Merton College, Oxford, and sponsored by Nigel Hamway.\u003c\/p\u003e\n\u003cp\u003eI was thrilled to be commissioned again by Merton College Choir, so soon after my anthem Nocturn for them -- however, having already set the Canticles twice, I panicked a little about whether I could do something completely different with the same words. So, I sent a survey to the choir members, whom I had met on several happy occasions, as I knew that they would come up with some great ideas. and they did! I have tried to incorporate as many of their requests (in bold below) as I could and am so grateful for the musical ideas they inspired.\u003c\/p\u003e\n\u003cp\u003eStarting with a request for story-telling, the Magnificat ('oscillating between uncertainty and excitement'), in D-flat Major, begins hesitantly with a sense of unease, as the Virgin Mary grapples with the momentous news that she is to bear God's son. The mood swings between scared and excited through melisma and expression in rich and crunchy harmonies (trying to incorporate the latter without sounding too louche for this reverential moment), soprano suspensions with altos and swaying gently in 12\/8.The mood becomes more assertive at 'He hath showed strength...' and then ecstatic for the 'Glory be...'.\u003c\/p\u003e\n\u003cp\u003eThe Nunc Dimittis in G-flat Major, begins in a more 'tranquil' reflective mood as Simeon welcomes a peaceful end now he has seen the salvation of the infant Jesus's arrival into the world. These two people are represented by frequent duets between sopranos and basses, with Simeon's bass frequently coming out over the choir. It doesn't stay that way for long, though, as it becomes something you can really sing your heart out with a good build up from quiet to loud, more melisma and ornamentation enhancing the emotional atmosphere. Having been in 4\/4, we return to an 'even more ecstatic' 12\/8 'Glory be' from the Magnificat.\u003c\/p\u003e\n\u003cp\u003eI'm hoping that I have also fulfilled a request for the bewitching and sublime -- but only you and these wonderful performers can tell! The Magnificat is five minutes and the Nunc Dimittis three minutes.\u003c\/p\u003e\n\u003cp\u003eI'm hugely grateful to Ben Nicholas and Merton College Choir for commissioning me and to Nigel Hamway for supporting the commission.\u003c\/p\u003e\n\u003cp\u003eRoxanna Panufnik, 16 July 2025\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Choral Octavo","offer_id":44413541318791,"sku":"EP73817","price":7.95,"currency_code":"USD","in_stock":true},{"title":"Choral Octavo - Digital Download","offer_id":44757647458439,"sku":"PET.58299","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/add474979d4f00b702e4fb4dd34c0b0f.jpg?v=1785418418"},{"product_id":"gander-riff23-peters","title":"Gander: RIFF23","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Bernhard Gander\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: RIFF23\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025940\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14834.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eRIFF 23\u003c\/em\u003e starts with a \"riff\", a rhythmical motif, concise and memorable. The riff is based on 23 eighth notes. This 23\/8 pattern is constantly varied in melody, rhythme, harmony and colour. As in pop or rock songs, you can hear formal passages like chorus, verses and soli.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":44413545414791,"sku":"EP14834","price":19.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754292899975,"sku":"PET.58301","price":19.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/90a8e3b7a78f911ded9425f4d81b7e7d.jpg?v=1785424883"},{"product_id":"beamish-field-of-stars-peters","title":"Beamish: Field of Stars","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Sally Beamish (1956-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Field of Stars (Four String Quartets)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025568\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP73792.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis piece is about pilgrimage. When my husband's son returned from an extraordinary and transformative feat -- running the Camino de Santiago de Compostela -- he brought us the emblem of the pilgrimage -- a scallop shell. I noticed that this same shell is the logo for the East Neuk Festival -- referring to the pilgrimage made by many to St Andrews in Fife. The East Neuk Festival is host to a wealth of nationalities, who gather to make music together.\u003c\/p\u003e\n\u003cp\u003eCompostela means \"Field of Stars\" -- the navigational tool used by pilgrims over the ages. The stars are represented by small bells -- E, H, C and B -- one for each cellist, taking its note from the first letter of the name of each quartet performing the premiere. (in German notation H=B, and B=Bb).\u003c\/p\u003e\n\u003cp\u003eIn the daily videos sent to us by Gabriel, there was often a village bell chiming, as if heralding his arrival or departure at each stage of the journey. I have used this idea to mark the journey of the work.\u003c\/p\u003e\n\u003cp\u003eAll the music in the piece relates in some way to journeys, and\/or to the variety of nationalities contained within the four quartets who performed the premiere: the Elias, Pavel Haas, Castalian and Belcea. The themes characterise each quartet by giving them material that pertains to them in some way. The piece opens with a Scottish melody: East Neuk of Fife, played by Donald Grant -- the Scottish violinist in the Elias Quartet.\u003c\/p\u003e\n\u003cp\u003eNext comes a fragment of Haas's 2nd string quartet, to represent Haas's tragic final journey to Auschwitz -- now a pilgrims' destination for many. Over this section, birds are heard -- each quartet adding their own 'bird calls'.\u003c\/p\u003e\n\u003cp\u003eAfter the next 'bell refrain' is a Castalian Hymn, which is amongst the oldest known notated music. It is a Hymn to Delphi, describing arrival at the oracle and the Castalian Spring.\u003c\/p\u003e\n\u003cp\u003eA South Korean folk song played in pizzicato follows, and then a Dutch ballad about a maiden's heroic journey to kill a predatory troubadour. The pace picks up and leads to a celebratory climax, after which a sequence of folk-melody-fragments (all suggested by the original performers of the piece, and representing their respective homelands), over cello drones. This gradually merges and swells, leading to a bell refrain which heralds the final theme: the medieval Hymn to St Andrew; signifying arrival and the culmination of the pilgrimage. This dissolves into a passage using held muted chords, and crotales, representing the 'Field of Stars' itself.\u003c\/p\u003e\n\u003cp\u003eThe piece ends with a chiming of bell-like chords. Field of Stars represents music's crossing of borders as well as celebrating Gabriel's personal journey.\u003c\/p\u003e\n\u003cp\u003eField of Stars was commissioned by the East Neuk Festival for their 20th anniversary, and first performed on 29th June 2025 by the Elias, Pavel Haas, Castalian and Belcea Quartets.\u003c\/p\u003e\n\u003cp\u003eSally Beamish, 2025\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44413548134535,"sku":"EP73792","price":99.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/bf1dfec5159b490c2fe2d606fca58e2c.jpg?v=1784892907"},{"product_id":"herrmann-un-chant-damour-peters","title":"Herrmann: Un Chant d'amour","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Arnulf Herrmann (1968-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eHorn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Un Chant d'amour (Double Bell Horn)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014139636\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14651.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cblockquote\u003e\n\u003cp\u003eThe instrument is the programme. One line, one song, which is divided without interruption.\u003c\/p\u003e\n\u003cp\u003eTwo bells, two sound directions with two sound colours (muted\/unmuted) and yet one instrument, one player.\u003c\/p\u003e\n\u003cp\u003einstrument, one player, separation and interlocking in one person.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe quote comes from the book Eine Frau besorgen by László Darvasi. These are war and love stories from the time of the Balkan wars of the 90s in the last century. All the stories bear the names of women. The whole thing is very rough, fantastic, but also surprisingly tender time and again - and this tone coincides with the tone that characterises the interpretation of \u003cem\u003eUn chant d'amour\u003c\/em\u003e.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":44413582934151,"sku":"EP14651","price":13.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44757663973511,"sku":"PET.58303","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/9f1ac27ee2d51e443d22fbc6dd518ce7.jpg?v=1785417638"},{"product_id":"panisello-seven-japanese-sketches-peters","title":"Panisello: Seven Japanese Sketches","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Fabian Panisello (1963-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOboe, String Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Seven Japanese Sketches\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577026176\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14713.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis piece is a reworking of certain themes that emerge from my recent experience with the opera Die Judith von Shimoda. This way, characters reappear from the fore mentioned, questioning themselves and rethinking themselves, as well as harmonic elements linked to the bonsho bells, the sho instrument or the harmonic and inharmonic spectrum harmonies that define some of the characters.\u003c\/p\u003e\n\u003cp\u003eThe figurative staging that this piece possesses brings into dialogue elements from our own musical culture, such as those derived from the harmonic and inharmonic spectrum or the tempered hexachordal fields and, in the case of the oboe, multiphonic materials with sound materials from the bonsho bells, the sho and the melodic twists of old popular songs that served as a symbolic reference for me, and in some cases tangible, for the composition of Die Judith von Shimoda and \u003cem\u003eSeven Japanese Sketches.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn this way, the harmonies that include micro-intervals present in the piece, all have a specific origin related to these sources, although they have been adapted to the quarter tone, in order to make their interpretation more accessible.\u003c\/p\u003e\n\u003cp\u003eFor oboists and quartets unfamiliar with such intervals, an alternate tempered intonation version of some of the pieces is included. This serves as a substitute, although in my opinion it loses some of its original color, mysterious and deep at the same time.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Score \u0026 Set of Parts","offer_id":44413607215239,"sku":"EP14713","price":140.0,"currency_code":"USD","in_stock":true},{"title":"Score \u0026 Set of Parts - Digital Download","offer_id":44754318524551,"sku":"PET.57962","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/f650a018b943d95e0dfefb47b240b4a3.jpg?v=1785422345"},{"product_id":"bauckholt-my-light-lives-in-the-dark-peters","title":"Bauckholt: My Light Lives in the Dark","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Carola Bauckholt (1959-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eDouble Bass, Electronics\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: My Light Lives in the Dark\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025025\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14770.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe darkness envelops me like a warm blanket. I feel safe in it and my senses can open up like my pupils. Where do we still find darkness in public spaces today, except during power cuts?\u003c\/p\u003e\n\u003cp\u003eWith its rich sound spectra, the double bass is a mysterious instrument. The low frequencies are physically perceptible, draw us in and defy quick comprehension.\u003c\/p\u003e\n\u003cp\u003eWhat does it sound like underground? I have heard many fascinating recordings with geophones: the movements of countless creatures and their feeding noises, the water exchange of plants, the signals of roots and fungal mycelium and much more - even footsteps and underground trains that cannot be heard above ground. But they only reflect the aspect that the geophone can detect. Where is the heat, the rumbling of the earth's movements, the bound carbon, the bioluminescence of the fungi? We are little aware of what goes on beneath our feet.\u003c\/p\u003e\n\u003cp\u003eAt its premiere at the Donaueschingen Music Festival, the work was performed in the castle park after dark.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":44413626876039,"sku":"EP14770","price":23.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44754247745671,"sku":"PET.58302","price":23.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/c4da1b6b45cf14b17f92ae8b95ba91e1.jpg?v=1785418455"},{"product_id":"steinke-suite-in-memory-of-chief-joseph-peters","title":"Steinke: Suite in Memory of Chief Joseph","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Greg Steinke (1942-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Bass Clarinet\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Suite in Memory of Chief\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577026183\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP68832.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eMovements\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrologue: Wallowa Echoes (Thunder in the Mountains)\u003c\/li\u003e\n\u003cli\u003eMemories: On the Clear Water\u003c\/li\u003e\n\u003cli\u003eCamas Meadow -- Henry's Lake\u003c\/li\u003e\n\u003cli\u003eWallowa -- Never to Return\u003c\/li\u003e\n\u003cli\u003eEpilogue: Colville\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Printed Edition","offer_id":44413633495175,"sku":"EP68832","price":35.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":44757643133063,"sku":"PET.58307","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/9a2112198b91dec0a47d1070fc1bf43d.jpg?v=1785422647"},{"product_id":"festinger-after-blue-peters","title":"Festinger: After Blue","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Richard Festinger (1948-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePercussion, Pierrot Ensembe (flute, clarinet, violin, cello and piano)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: After Blue\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790300747705\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP67897A.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eAfter Blue\u003c\/em\u003e was commissioned by the Paul Fromm Music Foundation at Harvard University for the New Millennium Ensemble. Richard Festinger uses the sextet's diverse instrumentation to create 'a kaleidoscopic panorama of strongly etched lines of constantly shifting vibrant color.' The first and last sections of the 16-minute work are thematically related and 'bright and extroverted,' while the centerpiece becomes 'dramatic and atmospheric.' \u003cem\u003eAfter Blue\u003c\/em\u003e is a companion to an earlier work by Festinger, \u003cem\u003eA Serenade for Six\u003c\/em\u003e.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Set of Parts","offer_id":44413643915399,"sku":"EP67897A","price":130.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":44505801949319,"sku":"EP67897","price":48.5,"currency_code":"USD","in_stock":true},{"title":"Full Score - Digital Download","offer_id":44753963712647,"sku":"PET.58551","price":48.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/e419d5d0dd57db0556109853732ea579.jpg?v=1784804043"}],"url":"https:\/\/www.editionpeterspublications.us\/ja\/collections\/new-releases.oembed","provider":"Edition Peters Publications","version":"1.0","type":"link"}