{"product_id":"franke-music-for-violin-cello-and-piano-peters","title":"Franke: Music for Violin, Cello, and Piano","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Bernd Franke (1959-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Musik für Violin, Cello and Klavier\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790577025353\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14798.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn the summer of 1989, I spent two months as a Bernstein Fellow at Tanglewood in the USA.\u003c\/p\u003e\n\u003cp\u003eTanglewood. in addition to working with Lukas Foss, Leonard Bernstein, Oliver Knussen and Louis Krasner. I also regularly attended conducting courses there given by Kurt Sanderling, Gustav Meier, Roger Norrington and Jeffrey Tate. During this time, I received special human and material support from Kurt Sanderling and his wife, among others. Sanderling and his wife. It was also his wife who made direct contact with one of her sons, the cellist sons, the cellist Michael, who had already performed the world premiere of my Chagall première of my Chagall music for orchestra with the Gewandhaus Orchestra in 1988. for Michael Sanderling and his trio colleagues Antje Weithaas and Gerald Fauth, I wrote my composition three years later my composition ‘Music for violin, cello and piano (Hope as a Breath...)' commissioned by the Schleswig-Holstein Music Festival. The subtitle is not a quotation, not a programme, not a reference to a lyrical background, solely an expressed thought about feelings and a personal mood when composing feelings and a personal mood while composing at this time in spring 1992. Musically, I am already very close to the organic composing of the mid and late 90s. the mid and late 90s, have more Asian intentions than European ones, think more of Isang Yun and Takemitsu Isang Yun and Takemitsu rather than Bartók or Webern (although both European composers were European composers were very important to me for a while). Two polarities stand in opposition to each other: unison playing of the strings with recurring recurring proliferating cells and phrases and restless, nervous patterns in the piano, also growing and proliferating. Both elements are opposed to each other at the beginning, then combined, exchanged, transformed. in principle, the whole piece is built up from these germ cells, motifs, sounds, blocks are formed and structured.\u003c\/p\u003e\n\u003cp\u003eBernd Franke\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":42777921159303,"sku":"EP14798","price":59.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8635\/5591\/files\/a2b57b545516cd12b2527de95bfe89ca.jpg?v=1785845767","url":"https:\/\/www.editionpeterspublications.us\/ja\/products\/franke-music-for-violin-cello-and-piano-peters","provider":"Edition Peters Publications","version":"1.0","type":"link"}