Aria Album for Baritone/Bass
Expected to ship in about a week.
- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Albert Lortzing (1801-1851), Giovanni Battista Pergolesi (1710-1736), Ludwig van Beethoven (1770-1827), Richard Wagner (1813-1883), Gioachino Rossini (1792-1862), Joseph Haydn (1732-1809), Alessandro Stradella (1645-1682), Christoph Willibald Gluck (1714-1787), Carl Maria von Weber (1786-1826), Felix Mendelssohn (1809-1847)
- Instrumentation (this edition): Piano Reduction, Baritone, Bass
- Originally for: Piano, Voice, SATB Choir, Orchestra, Bass, Double Choir (SATB + SATB), Opera
- Work Languages: German, Italian
- ISMN:
- Size: 7.5 x 10.6 inches
Works:
- Stradella: Habe Erbarmen mit meinen Schmerzen from Signore Pietà
- Bach: Grosser Herr und starker König from Christmas Oratorio, BWV 248
- Bach: Gebt mir meinen Jesum wieder from St. Matthew Passion, BWV 244
- Handel: Tutta raccolta ancor from Ezio, HWV 29
- Handel: Nasce al bosco from Ezio, HWV 29
- Handel: Bacchus, ewig jung und schön from Alexander's Feast, HWV 75
- Handel: Gib Rach, gib Rach from Alexander's Feast, HWV 75
- Handel: Doch wer wird ertragen den Tag seiner Ankunft? from Messiah, HWV 56
- Handel: Das Volk, das da wandelt im Dunkel from Messiah, HWV 56
- Handel: Warum denn rasen and toben die Heiden from Messiah, HWV 56
- Handel: Sie schallt, die Posaun from Messiah, HWV 56
- Pergolesi: Tre giorni son che Nina from Nina (Tre giorni)
- Gluck: Dieux, qui me poursuivez from Iphigénie en Tauride (French Version), Wq. 46
- Gluck: Le calme rentre dans mon coeur from Iphigénie en Tauride (French Version), Wq. 46
- J. Haydn: Rollend in schäumenden Wellen from The Creation, Hob. XXI:2
- J. Haydn: Nun scheint in vollem Glanze from The Creation, Hob. XXI:2
- J. Haydn: Schon eilet froh der Ackermann from The Seasons, Hob. XXI:3
- J. Haydn: Der muntre Hirt from The Seasons, Hob. XXI:3
- J. Haydn: Seht auf die breiten Wiesen hin from The Seasons, Hob. XXI:3
- Mozart: Wer ein Liebchen hat gefunden from Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Mozart: Solche hergelaufne Laffen from Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Mozart: O wie will ich triumphieren from Die Entführung aus dem Serail (The Abduction from the Seraglio), K. 384
- Mozart: Vedro mentr'io sospiro from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Se vuol ballare from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Non più andrai from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Aprite un po'quegli occhi from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: La vendetta from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Notte e giorno faticar from Don Giovanni, K. 527
- Mozart: Madamia! Il catalogo è questo from Don Giovanni, K. 527
- Mozart: Fin ch'an dal vino from Don Giovanni, K. 527
- Mozart: Dehvieni alla finestra from Don Giovanni, K. 527
- Mozart: O Isis and Osiris from Die Zauberflöte (The Magic Flute), K. 620
- Mozart: In diesen heilgen Hallen from Die Zauberflöte (The Magic Flute), K. 620
- Mozart: Der Vogelfänger bin ich ja from Die Zauberflöte (The Magic Flute), K. 620
- Mozart: Ein Mädchen or Weibchen from Die Zauberflöte (The Magic Flute), K. 620
- Mozart: Mentre ti lascio, o figlia from Mentre ti lascio, oh figlia, K. 513
- Beethoven: Hat man nicht auch Gold beineben from Fidelio, Op. 72
- Weber: Schweig damit dich niemand warnt from Der Freischütz, J. 277, Op. 77
- Weber: Hier im irdschen Jammertal from Der Freischütz, J. 277, Op. 77
- Weber: Wo berg ich mich from Euryanthe, J. 291, Op. 81
- Rossini: Largo al factotum from The Barber of Seville (Il barbiere di Siviglia)
- Rossini: La calunnia è un venticello from The Barber of Seville (Il barbiere di Siviglia)
- Lortzing: Fünftausend Taler from Der Wildschütz
- Lortzing: Sonst spielt ich mit Szepter from Zar and Zimmermann
- Lortzing: O sancta justitia! from Zar and Zimmermann
- Lortzing: Auch ich war ein Jüngling from Der Waffenschmied
- Lortzing: Es wohnt am Seegestade from Undine
- Mendelssohn: Sei mir gnädig from St. Paul, MWV A 14, Op. 36
- Mendelssohn: Es ist genug from St. Paul, MWV A 14, Op. 36
- Wagner: O du meinholder Abendstern from Tannhäuser, WWV 70
- Wagner: Wahn! Wahn! Uerberall from Die Meistersinger von Nürnberg, WWV 96
- Wagner: Verachtet mir die Meister nicht from Die Meistersinger von Nürnberg, WWV 96
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Aria Album for Baritone/Bass
