La voz latina - Volume 2 (Argentina, Chile, Uruguay, Bolivia, Peru)
Expected to ship in about a week.
- Work Languages: English, German, Spanish
- ISMN:
- Size: 7.7 x 10.6 inches
- Pages: 146
Description
For choirs who want to bring the energy, rhythm and vitality of Latin America to their concerts, the La Voz Latina series is the perfect resource. The second volume in the series, La Voz Latina 2 , brings together a collection of 17 vibrant choral pieces from Bolivia, Peru, Chile, Uruguay and Argentina. From traditional styles like Festejo and Candombe , to world-famous hits like Te recuerdo Amanda or Alfonsina y el mar and arrangements of tangos by Piazzolla, this collection captures the unique variety of Latin America.
- A varied collection of secular music, with some carols
- Easy to advanced level
- Introductions to the songs, translations of all text and guidance on pronunciation
- Edited by leading choral expert Werner Pfaff and Latin American music scholar Javier Zentner
- Audio samples for many of the pieces available online: www.editionpeters.com/lavozlatina
BOLIVIA Naranjitay (Music and Lyrics: Traditional, Arr.: Luis Craff) PERU El alcatraz (Music and Lyrics: Traditional, Arr.: Luis Craff) CHILE Te recuerdo Amanda (Music and Lyrics: Víctor Jara, Arr.: Eduardo Gajardo) Canción de cuna (Christmas) (Music and Lyrics: Luis Gastón Soublette Asmussen) Pasó luego una familia (Christmas) (Music and Lyrics: Luis Gastón Soublette Asmussen) URUGUAY Candombe de San Baltasar (Christmas) (Music and Lyrics: Abel Montenegro-Yábor, Arr.: Liliana Cangiano) ARGENTINA Oración para la siembra del trigo (Music and Lyrics: Luis Gianneo) Lunas que pasan, soles que mueren (Music and Lyrics: Luis Gianneo) Madre del maíz (Music: Eugenio Carlos Inchausti, Lyrics: Carlos Alberto ‘Coco' dos Santos, Arr.: Héctor Bisso) Póngale por las hileras (Music and Lyrics: Féliz Robustiano Palorma, Arr.: José Felipe Vallesi) Carnavalito del duende (Music: Gustavo ‘Cuchi' Leguizamón, Lyrics: Manuel J. Castilla, Arr.: Juanjo Cura) Chacarera de mis pagos (Music and Lyrics: Julio Argentino Jerez, Arr.: Eduardo Ferraudi) Alfonsina y el mar (Music: Ariel Ramírez, Lyrics: Félix César Luna, Arr.: Hugo C. de la Vega) Doña Ubensa (Music and Lyrics: Nestor Salim alias Gustavo ‘Chacho' Echenique, Arr.: Javier Zentner) El último café (Music: Héctor Stamponi, Lyrics: Ovidio Cátulo González Castillo, Arr.: Emilio Dublanc) Buenos Aires hora cero (Music: Ástor Piazzolla, Arr.: Néstor Zadoff) Invierno porteño (Music: Ástor Piazzolla, Arr.: Javier Zentner)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.