Uplifted Voices
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Minimum Order Qty: 5
- Instrumentation: SSAA Choir
- Work Language: Various
- ISMN:
- Size: 8.9 x 12.0 inches
Description
Uplifted Voices celebrates the diversity and richness of choral music with an engaging selection of works for SSA/SSAA by renowned women composers of many nationalities spanning the last three centuries. Alongside well-known pieces, the collection presents numerous previously unpublished works by historical composers such as Elfrida Andrée, Louise Adolpha Le Beau, and Florence Price, complemented by selected pieces from contemporary composers including Vivienne Olive and Marie-Claire Saindon. Short biographies of all composers are included, and all song texts are provided with translations into both English and German.
Elegantly curated and highly practical, the volume offers upper-voice choirs easy-to-sing and rewarding repertoire. The edition was produced in collaboration with Archiv Frau and Musik.
Contents:
Here is the raw Markdown code for the list, including the bolded song titles as we discussed.
- Auf, ihr Schwestern (Emilie Zumsteeg)
- Frühzeitiger Frühling (Fanny Hensel)
- La gallina (Pauline Viardot Garcia)
- Vind, som mig smeker, Op. 31, No. 2 (Laura Netzel)
- Vaknen (Elfrida Andrée, arr. Elsa Stenhammar)
- Mondnacht, Op. 33, No. 1 (Agnes Tyrrell)
- De røde roser i lunden stå (Agathe Backer Grøndahl)
- Le Joli Chemin (Eva Dell'Acqua)
- Sanctus, Op. 65 (Louise Adolpha Le Beau)
- Soir de Mai (Helena Munktell)
- Gleich and gleich, Op. 13 (Catharina van Rennes)
- Kyrie, Op. 167 (Cécile Chaminade)
- The March of the Women / Marsch der Frauen (Ethel Smyth)
- The Little Brown Bee (Amy Beach)
- The Moon Bridge (Florence Price)
- Potpoliš (Vítězslava Kaprálová)
- Um vielerlei Gaben (Erna Woll)
- Schläft ein Lied in allen Dingen (Felicitas Kukuck)
- Love Came So Lightly (Vivienne Olive)
- Jubilate Deo (Laura Sheils)
- Pyramus et Thisbe (Erika Budai)
- Odo yá, Yemojá! (Andréa Huguenin-Botelho)
- Mein Tanzlied (Julia Schwartz)
- Sanctus from: Missa Brevis (Yudania Gómez Heredia)
- De ce roseau (Marie-Claire Saindon)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.




