Panufnik: God's Mirror
Expected to ship in about a week.
Minimum Order Qty: 10
- Composer: Roxanna Panufnik (1968-)
- Format: Choral Octavo
- Instrumentation: Organ, Mixed Choir
- Work: God's Mirror
- Work Language: English
- ISMN:
Description
When Bath Abbey commissioned this anthem to celebrate the 25th anniversary of their Abbey Girls Choir, they asked me to set a text by a woman. It was my wonderful friends - nuns at Stanbrook Abbey - who found these words and their beautiful translation by Carmen Acevedo Butcher. They are taken from the fourth letter of St Clare of Assisi to her very dear friend St Agnes of Prague, written shortly before the former's death in 1253.
I asked the girls for some ideas of what they love to sing - the answers included: 'happy, in two parts, big sings, high notes, upbeat, loud and interesting' and 'no plainsong'! All these wishes have been granted, as the piece exhorts the pure joy and exhilaration of God being the source of so many positive moods and qualities.
Especially important is God's 'Mirror' - having two recently teenaged girls of my own, I'm only too painfully aware of how harshly this age group can judge their own reflections, comparing them to the significantly filtered and cosmetically enhanced celebrities who stare back them, via social media. St Clare sends such a potent message of looking at your own beautiful reflection (because, girls, you are all beautiful) and seeing the most important qualities every human being should have, most of all 'indescribable kindness' not just to others, but to yourself.
This piece is dedicated to the Bath Abbey Girls Choir, on their 25th Anniversary.
I am hugely grateful to Steven & Maria Foster for thinking of me for this wonderful commission and sponsoring it. Also to Bath Abbey and their Director of Music Huw Williams and the girl choristers who helped inspire me through the work's creation. Thank you also Stanbrook Abbey, particularly D. Raphael and Sr. Phillipa, for finding these words and connecting me with translator Carmen Acevedo Butcher, who talked me through the thoughts between the lines.
Roxanna Panufnik, 23 March, 2022
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



